Mealtime in the dining room. The walls are a gorgeous shade of dusty pink, more of a flesh tone, but definitely not coral. It reminds me so much of the Farrow and Ball shade, Ointment Pink, but it's not. One great thing about the paint is that it's flat, not egg shell. You don't see that too often anymore, but it really has a wonderful, dense look to it.
In the middle is the beautiful Anthea serving a dessert made by her absent husband. No men were allowed at lunch. The girl on the left is an old family friend and she is equally beautiful!
I had trouble concentrating on the conversation, which happens when I am surrounded by beauty. At the end of the dining room, on both sides of the window, is a pair of half-moon shaped, tall chests. Handpainted pink cabbage roses dance atop a pale celadon base. At the top of each chest, is one of a pair of large, antique Satsuma urns. The "Wills" girls know that these chests are my absolute favorite pieces in their family. I totally lust after them and if I could get away with it, these two chests would somehow find their way to my house. Oh well......
Along the side wall of the dining room between two windows is an antique gilded and painted buffet which sits under an oil painting. This piece comes in at a close second as my favorite.
And, on a short wall across from the buffet, this antique commode sits beneath an antique mirror. The dining room is without a doubt the prettiest room in a house filled with pretty rooms. Upon entering the home, it's directly to the right of the front door and is one of the first things you notice when you walk in. In storage are drapes from a previous home that would look wonderful in here. Both Shannon and her mother Dottie (and me) think the drapes should be hung in the dining room, but homeowner Anthea with veto power wants to keep the room light and airy. I have offered to take the drapes off Anthea's hands for her, but she pretends she can't hear me whenever I broach the subject.
The staircase hall. Seagrass covers the stair steps. The bench is filled with birthday presents for Shannon and Anthea, both.
An oversized crystal chandelier hangs in the staircase hall. This fixture is always lit and can be seen from the street through the glass paned, double front doors. I should know - Anthea's house is on my Starbuck's route and I pass it more times a day and night than I care to admit.
Directly across the hall from the stairs is the paneled library. Notice the animal faces on the chairs' arms.
The Wills girls are daughters of the famous artist, J. Anthony Wills, whose work hangs in the White House. Here is an oil of Anthea that her father painted as a surprise for Dottie. Shannon has her portrait from the same sitting in her house.
Note the large, tole light fixture hanging in the library.
At the entry hall, this tablescape with it's bird's nest and chalky urn, is front and center.
The breakfast room is probably my favorite space in the house. The light, painted credenza, toile window shade, creamy accessories and flirty slip covers on the chairs all add to the room's fresh atmosphere.
The kitchen has a wonderful wood counter top on the island and the range sits in its own alcove.
The back courtyard with a fountain and furniture from Smith Hawken. It was a rainy day, so the cushions were taken off the furniture.
The family room with its large antique rug. Most of the other rooms, including the stairs have seagrass rugs. I love the antique frame on the mantel - with no art work inside!
Old candlesticks rest on a marble topped credenza in the stair hall.
The living room is to the immediate left of the front door, across from the dining room. The antique day bed is covered in a blue silk velvet that is wonderfully worn. Most people would probably choose to recover the velvet, but I love the way it's aged to perfection.
This portrait, painted again by Shannon and Anthea's father, is of their mother Dottie - looking very glamorous in her 60s style mink stole! Isn't she gorgeous? Turquoise colored vases sit atop yet another marble topped chest.
In one corner of the living room, behind a needle point french chair, Anthea has propped two antique doors. You can just see the dining room on the very right.
Upstairs, Anthea and her husband sleep in this deep brown bedroom. The ceiling is painted the palest shade of blue. The headboard is slipcovered in white. On either side of the bed are Aidan Gray nightstands.
Across from the bed, an English linen press.
In the master bathroom, the vanity chair carries on with the bedroom's brown and blue color scheme.
A guest room upstairs, furnished in french antiques. This is Shannon's room when she comes to town. Another guest room, not shown, is reserved for Shannon's daughter when she stays over.
Anthea's son's red, white, and blue bedroom, furnished with seagrass headboards and blue and white ticking.
The upstairs playroom for Anthea's son. The slipcovered furniture came from Quatrine.
Dottie, now widowed, divides her time between Houston and Chappell Hill. Here is the sitting room in her bedroom suite at Anthea's. It is furnished entirely with French antiques that Dottie has collected over a lifetime.
The bedroom in Dottie's suite, again furnished with antiques.
And lastly, in Dottie's sitting room hang two portraits of the birthday girls, again, painted by their father. On the left, Shannon, the more talkative sister, is, naturally, on the phone, while Anthea - always prim and proper - sweetly smiles. The most amazing thing of these paintings is that here, both mothers look exactly like their young sons do now. Both boys are about the same age as their mothers' were when these paintings were done. Be sure to revisit my entry about Shannon's home, the KW Ranch. It's interesting to compare and contrast the two sister's decorating styles. Both girls were their own interior designer, along with their mother's input and advice. All three Wills girls have great style and taste, which is obvious to anyone visiting their homes.
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